NHS, the parent company of successful local brands such as Santa Cruz Skateboards and Independent Trucks, has made many extremely savvy business decisions over the decades. It could be argued that topping that list has been their employment of father-son artist duo, Jim and Jimbo Phillips, whose collective creativity have produced globally recognized graphics that have brought NHS tons of sales over the years.
Along with designing the classic, “Red Dot” Santa Cruz Skateboards logo, Jim was responsible for the creation of the iconic “Screaming Hand” graphic, as well as the Independent Trucks “Matese Cross” logo. When Jim developed a studio to task fresh-faced artists with creating their own unforgettable designs, it was his own son, Jimbo, who showed the most promise. At the young age of twenty-years-old, Jimbo had already spawned two of his own iconic, and best selling skateboard graphics, the Roskopp Face 2, and the Natas Kittens.
The original Roskopp Face, which depicted a stretched-out, ghastly, ogre-like, grimacing face, was created years previously by Jim Sr, but Jimbo’s second phase of the graphic brought things to a new level of disgusting fun. The already creepy visage gained a hideous, wart-laden tongue, a gouged-out eyeball hanging by it’s connective tissue, and increased facial decay in the form of sores, rot, and even exposed brain-matter.
Both iterations of the Roskopp Face remain iconic to this day, but recently, Jimbo had the opportunity to continue the series in a disturbingly-fun final form which turns the already stomach-churning gore level up a few more notches. Now, the decay has left the face a melting mess that is pure nightmare-fuel, complete with maggots, exposed bone, and even some metallic, cybernetic additions. Personally, I love it! The humble artist was so stoked on this new graphic that he agreed to give me an in-depth breakdown into his artistic process for taking an already boundary-pushing skateboard design into increasingly graphic territory.
It’s always an honor to get the time and attention of this soft-spoken savant, so I, as should you, feel very fortunate to have been afforded a behind-the-scenes look into his latest and greatest artwork, that of the Roskopp Face 3.